Domino Kirke Finds Her Way Back to Herself on “The Most Familiar Star”
There’s a rare stillness that runs through Domino Kirke ’s new album, The Most Familiar Star—a stillness that feels hard-won. Over ten songs that are at once featherlight and emotionally freighted, Kirke navigates a complex, often contradictory landscape: the slow erosion and unexpected renewal of identity through motherhood.
Written in the quiet wake of postpartum reflection, The Most Familiar Star was born out of a need for reassembly. After years spent immersed in caregiving, partnership, and the quiet, invisible labor of early motherhood, Kirke began writing songs that tried to piece together the woman she once was—or perhaps was still becoming.
“I set out to write an album about returning to myself,” she explains. Life, however, wove in its own poetry: midway through crafting the record, Kirke discovered she was pregnant again—with twins. Suddenly, the album became not just a retrospective meditation, but a living, breathing contradiction: a document of trying to stand still while life moved forward in ways she hadn’t anticipated. “So, while I was promoting this work about finding balance after birth, I was doing it all while growing two new humans inside me. It’s been surreal and poetic,” she reflected.
Credit: Domino Kirke-Badgley via Instagram/Press Photos
Produced by Grizzly Bear’s Chris Taylor and Eliot Krimsky, The Most Familiar Star doesn’t aim for grand gestures. Instead, it drifts, shimmers, and occasionally fractures under its own delicate weight. Kirke’s voice feels soft, unhurried, almost conspiratorial at times, sitting atop hazy synths, murmuring strings, and textured, dreamlike soundscape, weaving together like a soft cocoon that make the songs feel lived-in rather than composed.
The highlight track, “It’s Not There,” featuring Angel Olsen, underscores this mood perfectly: a haunting exploration of absence that lingers long after the last note fades. Elsewhere, tracks like “Secret Growing” confront personal histories of childhood trauma and survival with a startling tenderness, while “Teething” captures the fragile ache of early motherhood with an intimacy so specific it feels universal.
And yet, with all its emotional gravity, the album never sinks under the weight of its themes. Even the most sorrow-tinged tracks are buoyed by a quiet resilience, a sense that grief and growth can, and must, coexist. Domino Kirke doesn’t offer tidy resolutions, but she does offer companionship for anyone trying to navigate the blurry space between who they were, who they are, and who they’re still becoming.
Her recent performance of “Stepchild” on The Kelly Clarkson Show showcased that same emotional precision, turning vulnerability into something quietly powerful rather than vocal acrobatics. It’s a quality that’s earned her features in media tastemakers including Vogue, Rolling Stone, People, and SPIN—outlets that have recognized her as a distinct voice in a landscape that too often flattens women’s experiences into clichés.
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Ultimately, The Most Familiar Star is less about motherhood itself and more about the continual act of becoming—over and over again; of how it humbles you, expands you, asks you to grieve old selves even as it demands the invention of new ones. “This album gave me my voice back,” Kirke says. “And now, I get to carry that voice into the next season of my life, with two little stars on the way.”
The Most Familiar Star is available everywhere now.
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